Photo Floto+Warner
Scrollathon’s artistic and community engagement efforts have become increasingly central to Steven and William’s endeavors, evidenced by many prior achievements as well as the dreams resulting in the far-reaching National Scrollathon initiative from 2022-2027. As noted under “Scrollathon Background,” several spectacular and large-scale commissions are permanently displayed: in a commercial development in Downtown Brooklyn (“Fabulous Phil”), at the NFL Atlanta Falcons’ Mercedes-Benz Stadium, at the Henry Ford Detroit Pistons Performance Center, and at The Kennedy Center’s new River Pavilion. Furthermore, it is being recognized that the Scrollathon experience has tremendous capacity to reach community participants in a powerful, uplifting, and healing manner, all while an amazing collaborative artwork is being created. Thus the Ladds were invited to create a Scrollathon for the Marjory Stoneman Douglas High School students and others in the wake of gun violence in Parkland, Florida, (“Power of Art”), as well as for a dual-city/museum partnership exploring accessibility and sensory experiences in Atlanta and Dallas (“Speechless: Different by Design.”) Additionally, the brothers’ exhibition dedicated to the stories and experiences of their work with those in custody of the NYC Department of Corrections at the Invisible Dog Art Center, “The Other Side,” was toured by the Commissioner of Corrections, after which the Ladds were commissioned to create an exhibition on Rikers Island, illuminating the humanity of those incarcerated and working there. Beginning with its 2022 launch, the National Scrollathon aims to unite Americans across our nation by way of 66 Scrollathons and related activities in celebration of America’s 250th Birthday in 2026.
Steven Ladd
(646) 238-7009
steven@stevenandwilliam.com
William Ladd
william@stevenandwilliam.com
526 West 26th St #1004, New York, NY 10001
www.stevenandwilliam.com
www.scrollathon.com
STEVEN LADD AND WILLIAM LADD
Steven 1977-
William 1978-
Nationality: American
Originally from St. Louis, William discovered a passion for beading at 15 and Steven began making clothes while studying at Rockhurst University in Kansas City. After moving to Brooklyn, NY to collaborate, their formal artistic partnership began in 2000, creating accessories that attracted interest from the Louvre’s Musée des Arts Décoratifs, which acquired a handbag for the permanent collection. Selected for the Smithsonian Cooper Hewitt’s Design Triennial in 2006, the Ladds’ artworks began representing the people, places, and memories of their shared childhood, an evolving theme throughout their practice.
Lucien Zayan, Director of The Invisible Dog Art Center in Brooklyn, sparked a career turning point in 2009 by commissioning a chandelier fashioned from buckles and trimmings discarded in the basement of his space. Lucien’s donation of a treasure trove of cast-off materials fueled four solo exhibitions at the Center plus the growth of their public engagement program “Scrollathon,” now a core component of the Ladds’ artistic practice.
The Ladds’ first museum solo exhibition was in 2011 at The Contemporary Museum, Honolulu, with support from The Andy Warhol Foundation for the Visual Arts, titled “9769 Radio Drive”—the address of their childhood home. Two major museum solos followed in 2014: “Function+Fantasy,” Mingei International Museum, San Diego, featuring 400 objects and including a major early work acquisition for its permanent collection; and “Mary Queen of the Universe,” at the Parrish Art Museum, NY, with support from the National Endowment for the Arts and the Pollock-Krasner Foundation, featuring 50 new works and titled after their grade school, then at Miami’s Museum of Art + Design, opening during Art Basel Miami Beach. Saint Louis Art Museum (“Scouts or Sports?”) and SCAD Museum of Art (“Blood Bound”) exhibitions followed.