BIOGRAPHY
Photo Floto+Warner
STEVEN LADD AND WILLIAM LADD
Born 1977 (Steven), 1978 (William)
American
Steven and William Ladd are American artists and brothers whose collaborative practice blends memory, material, and community. Known for their intricate scroll-based sculptures, large-scale installations, and participatory Scrollathon® programs, their work bridges fine art, design, and social engagement. Since launching their partnership in 2000, they’ve exhibited at institutions including the Musée des Arts Décoratifs in Paris, the Cooper Hewitt, Smithsonian Design Museum, and the John F. Kennedy Center for the Performing Arts. Raised in St. Louis and based in New York City, the Ladds’ work celebrates storytelling through craftsmanship, connection, and transformation.
Steven and William Ladd are American artists and brothers whose collaborative practice merges storytelling, material innovation, and community engagement. Working together since 2000, the Ladds have developed a distinctive visual language rooted in their shared childhood in St. Louis, Missouri—one that draws equally from memory, ritual, and the deeply tactile processes of making.
Their work spans sculpture, drawing, installation, performance, and social practice, but always returns to the handmade. Whether constructing towering textile landscapes from scrolls and beads or leading thousands of participants in their acclaimed Scrollathon® workshops, the Ladds are committed to honoring personal narrative and collective creativity. Their studio operates with three guiding principles: spend your life doing what you love, be focused and disciplined, and collaborate.
From their early forays into fashion accessories and functional design, Steven and William quickly caught the attention of curators internationally. In 2004, they were included in Le Cas du Sac at the Musée des Arts Décoratifs in Paris, and in 2006, their work was featured in the National Design Triennial at the Cooper Hewitt, Smithsonian Design Museum—landmark moments that helped shift their practice from design toward large-scale, conceptual installations.
In 2009, their relationship with The Invisible Dog Art Center in Brooklyn marked a major turning point. With access to cast-off materials from the building’s past as a belt factory, the Ladds created ambitious installations and deepened their engagement with themes of reuse, resilience, and transformation. It was here that Scrollathon began to crystallize: a participatory artmaking model that brings people together through the meditative, uplifting act of making scrolls. What began as a small workshop has evolved into a national initiative that centers community voice and radically reimagines who gets to be part of the creative process.
Museum solo exhibitions include 9769 Radio Drive at The Contemporary Museum, Hawai‘i; Mary Queen of the Universe at the Parrish Art Museum and MDC Museum of Art + Design; Blood Bound at the SCAD Museum of Art; Function + Fantasy at the Mingei International Museum; Lead With a Laugh at the Sarasota Art Museum; and The Other Side at The Invisible Dog Art Center—each of which layered deeply personal iconography with collective history and craftsmanship. In recent years, their work with the NYC Department of Correction has led to artist residencies on Rikers Island and a decade-long engagement with justice-impacted communities.
Permanent commissions by the Ladds can be found at City Point in Brooklyn, the Mercedes-Benz Stadium in Atlanta, the Henry Ford Detroit Pistons Performance Center in Detroit, and the John F. Kennedy Center for the Performing Arts in Washington, D.C. Their Scrollathon projects have been recognized for their innovative approach to social practice, engaging participants of all ages and backgrounds—from students and seniors to incarcerated individuals and people with disabilities.
In 2019, they launched the National Scrollathon, an ambitious effort to conduct Scrollathons in all 50 states, five territories, and Washington, D.C., culminating in a major exhibition at the Kennedy Center in 2026 to mark America’s 250th anniversary. This ongoing project exemplifies the Ladds’ belief in art as a tool for connection, healing, and national reflection.
Based in New York City and Germantown, NY, Steven and William Ladd continue to create work that is both formally rigorous and emotionally expansive—honoring the past while building shared visions for the future.